World Courant
Sofia Reyes is in bloom on the duvet of her new album Milamores. After final 12 months’s heartbreak LP Mal De Amores, the Mexican celebrity is now stuffed with resilience and self-love. On her most kaleidoscopic challenge but, she blends Latin pop with parts of bolero, cumbia, reggae, hyperpop, reggaeton, and extra.
“With Milamores, I needed to do that as if Mal De Amores was facet A and that is facet B,” she tells Rolling Stone over Zoom from a recording studio in LA “They’re like siblings. It is the continuation of Mal De Amores, however now from a spot that is extra lovely.”
Reyes first previewed the album in November of final 12 months with the celestial “Luna,” which mirrored the ethereal route that she was getting in. In Could, she teamed with fellow Mexican singer Danna Paola for the hyperpop banger “TQUM,” which later attracted Kim Petras to leap on the remix. Reyes continued to launch extra feel-good tracks just like the bachata-infused “Cobarde” that includes Colombian artist Beéle. She reveals that she not solely discovered therapeutic by writing these songs, but additionally in the way in which they have been recorded.
“It’s a very religious album too,” Reyes says. “There’s loads of parts within the music the place we used therapeutic sound bowls. We used sure frequencies which can be therapeutic. For instance, ‘Noches de Sirenas’ with Mariah Angeliq is a reggaeton music, however there’s frequencies in there to make you subconsciously really feel one thing lovely inside. That was actually enjoyable to discover.”
Like her collaboration with Paola, Reyes is proud to have teamed up with a number of Mexican acts on the LP. Mexican rap star Gera MX joins her within the sweeping “Milamores,” which seamlessly mixes bolero with hip-hop. She embraces cumbia with different rock group El Gran Silencio in “La Batidora.” Ingratax and Caloncho add to the Mexican artists that function on the album, which additionally marks Reyes’ first decade as a singer. “I imagine, above all, I am extra positive about what I like and who I’m,” she says. “It is necessary that I am sincere with myself in my music and all the things that I would like.”
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Whereas talking to Rolling Stone, Reyes broke down six songs from her new album and shared how the introspective challenge got here collectively.
“La Batidora”
That is the music that welcomes the album. It is a occasion! El Gran Silencio are legends, so it is undoubtedly an enormous honor for me to work with them. They have been the sweetest. It has been such a journey with “La Batidora.” It took me some time to start out the music and end it. This one for me was undoubtedly the largest problem as a result of it is the primary time I did a music like this. El Gran Silencio killed it. I like them. I am actually grateful for all of the options on the album as a result of they cherished the songs they usually actually put their hearts into this challenge.
“Milamore”
Each time folks hear this music, it turns into their favourite. I really feel like “Milamores” may be very particular. That music carries the identify of the album. That music talks concerning the flowers that blossom after a heartbreak. Working with Gera has been probably the most lovely expertise. He is the most effective group participant. The best individual. The best artist. He killed it!
“Coward”
“Cobarde'” with Beéle is a bachata. I like bachata. He killed it too. I additionally love Beele a lot. I really feel like after I met him, it was as if we have recognized one another from earlier than. He is simply such a ravishing individual. I like the music “Cobarde.” That one was additionally a problem. It took me some time to complete, like to know the appropriate phrases for it. It took me months. I traveled and took the music with me and tried to put in writing. Then Beele got here in and all of it made sense.
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“altitude”
I like that music! I really feel like that music is a grower. It is a type of that you simply like much more as you retain listening to it and then you definately’re obsessive about it. That occurred to me. With that music, I used to be really within the studio, engaged on “Cobarde.” I used to be caught on “Cobarde” and I used to be like, “Let’s end this session and are available again tomorrow. I’ll reset.” After which Thom (Bridges), the producer, began enjoying this beat and I cherished it. It was “Altitude.” We wrote the music in about two hours. That is the great thing about ‘Altitude.’ It was surprising. I despatched it to Ingratax and she or he killed it! I completed this music perhaps in June of final 12 months. This music has been prepared for some time.
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“Yo Tuya, Tú Mío”
I am an enormous fan of Caloncho. I have been following his music for years. This was the primary music we wrote for Milamores. We have been in Hawaii and we have been simply very impressed by the character of Hawaii and its female power. “Yo Tuya, Tú Mío” began there. I completed it perhaps a few weeks later right here in LA I despatched it to Caloncho and I instructed him, “Do what you wish to do. I like this music. I’d like to work on it with you.” He mentioned, “I’ll reduce my vocals, however I do not wish to transfer lyrics or do any of that as a result of the music is already accomplished and it’s extremely particular.” He killed it. I hope we get to carry out it collectively many instances.”
“Noche de Sirenas”
It is the reggaeton reggaeton music of the album. I could not put some reggaeton in there. What ‘Noches de Sirenas’ actually has for me is the outro. The outro is so highly effective. It is impressed by the present The White Lotus. I noticed the present and I used to be like, “These are my sounds! That is me.” I integrated that inspiration into “Noche de Sirenas,” and you may hear it extra in direction of the tip. I attempted to place it at first of the music but it surely was simply too overwhelming, so I put it on the finish. Mariah has been nice. She loves the music, so she’s tremendous excited.
Sofia Reyes Tells Us Why She’s Embracing Love on ‘Milamores’
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