Spanish TV Producers Goal Alternatives for Growth

Norman Ray

World Courant

Spanish TV fiction producers are discovering methods to navigate the rocky worldwide scene due to growing curiosity from overseas producers trying to co-finance in Spain, leveraging the nation’s beneficiant tax incentives.

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Aside from streamer financing — which accounts for over 50% of complete Spanish content material funding, the best in main European markets — the height TV bubble has burst. Furthermore, distributors worldwide are paying smaller minimal ensures, broadcaster consumers are taking fewer dangers and plenty of gamers are commissioning fewer titles.

Options raised by Spanish firms embody establishing beachheads in America, growing English-language productions and promoting on the open market.

“Zorro” producer Secuoya Studios will develop and produce large-scale initiatives in English as a part of its worldwide enlargement technique, not too long ago unveiled by CEO Brendan Fitzgerald, a former Sony govt.

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The studio, presided over by James Costos, will function a number of manufacturing fronts concurrently to hurry up timelines with out compromising high quality.

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“We need to develop into language-agnostic and begin with English,” Fitzgerald says. Though Secuoya can be exploring different nations, its present pillars are Spain, Latin America and the UK

As an important a part of its development, The Mediapro Studio (producer of “The Head”) has launched a Los Angeles workplace, tapping former Paramount govt JC Acosta to run it. At Mipcom, TMS CEO Laura Fernández Espeso will current the studio’s new English-language productions at a Media Mastermind keynote.

For Spanish TV fiction firms, co-production represents a robust various, giving entry to 60%-70% of a sequence’ value. Over the past 12 months, 26% of TV fiction titles in Spain have been co-produced with worldwide or native companions, in comparison with 7% worldwide.

“There’s a rising opening of borders to co-produce,” says Caroline Servy, managing director on the Wit.

“Elite” producer Zeta Studios is growing and producing originals for platforms together with Max (“García!”), Netflix (“Elite”), Prime Video (“Días mejores”), Movistar Plus+ (“La vida breve”) and Atresplayer ( “Pink Flags”).

Zeta is increasing in a number of instructions; one is establishing a foothold in Latin America.

In June 2023, the Madrid-based studio named seasoned TV govt Marcelo Tamburri as its director of worldwide content material based mostly in Mexico. An early transfer has been partnering with Brazil’s Conspiração to create “Bajo presión,” a Spanish-language remake of the hit Globo drama “Below Strain.”

In January, the studio signed as much as develop Latin American Spanish-language net novellas from Wattpad Webtoon Studios. First fruit of the Zeta-Webtoon alliance is the variation of Ariana Godoy’s “Comply with My Voice,” scheduled for a February theatrical launch by Beta Fiction Spain. “We’re open to completely different financing fashions, all the time attempting to evolve because the state of affairs modifications,” Zeta president Antonio Asensio says.

Whereas Spain explored the worldwide co-production path simply 5 years in the past, a lot of the world hopes to seek out co-financing in Spain.

“Spain is a stylish vacation spot. Tax incentives have made us extra fascinating to worldwide eyes, so it is going to assist us discover different (cooperative funding) fashions,” Asensio says.

Main personal broadcaster and a prolific TV fiction producer Atresmedia boasts a robust worldwide gross sales operation. Behind latest worldwide hits reminiscent of “Veneno” and “Cardo,” Atresmedia is now producing “Mariliendre,” one other step into its fruitful partnership with shingle Suma Content material.

“One of many primary alternatives for worldwide development for our titles is to put money into rising markets with excessive potential, reminiscent of Asia and Jap Europe,” says Atresmedia’s head of acquisitions and gross sales, José Antonio Salso.

“Moreover, at a strategic stage, at Atresmedia we’re more and more targeted on presenting our new titles at earlier phases of manufacturing, particularly in post-production. This enables us to spice up pre-sales and convey nationwide and worldwide premieres nearer collectively, making them occur nearly concurrently,” he says.

Spanish TV Producers Goal Alternatives for Growth

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