In dialog with Caryl Ivrisse Crochemar, curator of 1-54 Presents

Harris Marley
Harris Marley

International Courant

What are you able to inform us about this exhibition…

1-54 Presents is a curated exhibition programme that runs alongside 1-54 Up to date African Artwork Truthful. It gives a singular thematic exhibition. 1-54 Presents made its debut in New York in Could, throughout 1-54 New York 2023, and this time the second iteration of the mission will likely be held at Christie’s in London. The London 2023 exhibition is titled “Transatlantic Connections: Caribbean Narratives in Up to date Artwork” and brings collectively artworks from a few of the most fun trendy and up to date Caribbean artists of the final 50 years.

You curated an exhibition referred to as “Glowing Islands, One other Postcard of the Caribbean” for 1-54 in New York earlier this yr. How does this exhibition differ?

1-54 introduced “Glowing Islands: One other Postcard of the Caribbean” in New York – a groundbreaking endeavour that represented a brand new addition to the truthful’s framework. The progressive platform was conceived in collaboration with truthful administrators Touria El Glaoui and Camille Ostermann. Its major mission was to light up the wealthy tapestry of the worldwide African diaspora, embracing variety in all its kinds.

Our collective resolution led to the creation of a thematic exhibition that pays homage to the invaluable contributions of Afro-descendant Caribbean artists inside each the Caribbean artwork panorama and the worldwide creative sphere. This endeavour celebrates their creative prowess, underscoring their significance and affect. The exhibition itself showcased the works of 13 outstanding artists, providing a charming array of creative expressions encompassing work, images, sculpture, ceramics, works on paper, and set up artwork.

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The Warriors Strength_Charmaine Watkiss -20cm width.

Shifting our focus to 1-54’s presentation in London: whereas the narrative stays constant, there are notable distinctions. Foremost amongst them is the notable enhance within the variety of taking part artists. On this version, we’re thrilled to current the works of twenty-two artists, with a powerful illustration of 12 girls artists amongst them. This growth signifies a dedication to additional diversify and amplify the voices of the African diaspora inside the realm of latest artwork.

What are a few of your objectives with this exhibition? What would you like audiences to remove from the present?

The first goal is to foster connections and maintain the dialogue initiated by the truthful, spanning its varied editions and related applications.

The exhibition “Transatlantic Connections: Caribbean Narratives in Up to date Artwork” serves as a outstanding tribute to the invaluable contributions of Caribbean artists in up to date artwork over current many years and the current period. Moreover, it pays homage to the group within the UK, particularly as they commemorate the seventy fifth anniversary of the arrival of the MV Empire Windrush within the UK.

Johanna Mirabel Dwelling Room n° 28, 2022 Oil on Linen 210 x 224 cm (82.6 x 88.2 inches)

“Transatlantic Connections: Caribbean Narratives in Up to date Artwork” goals to forged a highlight on and to have fun the numerous artistic contributions of Afro-Caribbean artists to the cultural tapestry of their adopted homelands and the broader international stage.

On a private be aware, my aspiration for this exhibition is twofold. Firstly, I hope it supplies the general public with a possibility to find and recognize the skills of those artists and the profound influence their creative practices have had on British up to date artwork and past. Moreover, it seeks to coach each most people and the art-informed viewers in regards to the evolution of latest artwork within the Caribbean, as considered by the various accomplishments of artists from this vibrant archipelago.

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The artist record is extraordinarily various, from older post-war masters to youthful, rising artists working from totally different places all over the world. 

Was selection essential to you when curating the exhibition?

The exhibition spotlights only a fraction of the Caribbean’s wealthy visible arts group, bringing collectively 22 artists with numerous Caribbean backgrounds, hailing from locations as distant as Barbados, Cuba, Guadeloupe, Jamaica, Martinique, St. Vincent & the Grenadines, The Bahamas, Trinidad & Tobago, France, the US, and, in fact, the UK.

These artists, with their simple expertise and rising visibility, play a big position in advancing Caribbean artwork by their careers and progressive creative approaches, showcasing success tales that contribute to the broader recognition of Caribbean artwork.

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Crying is By no means Sufficient 2

The exhibition’s idea is deeply rooted in Aimé Césaire’s notion of négritude, which emphasises the shared identification, consciousness, and tradition amongst black peoples; and by Édouard Glissant’s concept of The Rhizome. Subsequently, it’s only pure to showcase the immense variety of Caribbean creativity, aiming to problem persistent stereotypes and misconceptions in regards to the area.

Fostering consideration and consciousness of artwork, in all its variety and discourse, among the many native inhabitants throughout the archipelago is of utmost significance. Concurrently, the exhibition seeks to offer international audiences with entry to this vibrant artwork scene, nurturing a deeper understanding of the Caribbean’s multifaceted cultural contributions.

Why are exhibitions centered on artists from specific areas nonetheless essential?

Exhibitions that includes artists from specific areas stay related as a result of they have fun cultural variety, problem stereotypes, promote cross-cultural understanding, and facilitate creative change. Whereas it’s essential to assist artists from all around the world, regional exhibitions play a significant position in enriching the worldwide artwork scene and fostering a extra inclusive and interconnected cultural atmosphere.


In dialog with Caryl Ivrisse Crochemar, curator of 1-54 Presents

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