PinkPantheress’ ‘Heaven Is aware of’: Album Evaluation

Norman Ray
Norman Ray

World Courant

The trail from TikTok phenom to profession artist is a difficult one, and whereas Victoria Beverly Walker — aka 22-year-old British singer-songwriter PinkPantheress — has navigated it much better than most, an enormous check comes with “Heaven Is aware of,” her first standard full-length album.

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Typical as a result of her precise debut album, 2021’s wonderful “To Hell With It,” squeezed 10 songs into simply 18-and-a-half minutes and located the younger artist bending pop music’s requirements to her TikTok-incubated model: full songs — with verses and choruses and a bridge — clocking in at 1:48, 1:22, 1:36, with the longest topping out at simply over two and a half minutes. However just a few months later she dropped “Boy’s a Liar,” one of many greatest singles of this 12 months, the remix of which boosted her into the higher echelons of the charts with no small because of Ice Spice, who slipped a saucy rap into the track’s “Pt. 2” remix and nonetheless saved the working time at 2:11.

“Heaven Is aware of” is a distinct story. The songs and the record of collaborators are longer and larger — Pink is the lead producer on almost each track, however joined by two-time Grammy producer of the 12 months Greg Kurstin (Adele, Paul McCartney, Foo Fighters), Danny L. Harle ( Caroline Polachek, Dua Lipa), London on Da Observe (Younger Thug, Summer time Walker), Bnyx (Travis Scott, Drake) and others, with “Boy’s a Liar” collaborator Mura Masa current on many of the songs however normally relegated to an ” further producer” position.

At first blush it might sound that she “introduced in some huge weapons,” however an in depth hear reveals an formidable younger artist with an imaginative want record of collaborators, wandering farther from her established sound because the album goes on. Surprisingly, the opening Kurstin-produced tracks are probably the most familiar-sounding — skittering drum n’ bass beats, rimshots, rubbery bass and atmospheric keyboards laying down a luxurious however energetic featherbed for Pink’s candy, honeyed vocals. However just a few songs in she begins to interrupt formation, exploring larger beats and hooks, bringing a harder-hitting R&B/pop basis to her model (though her collaboration with Bnyx on “Emotions” landed a possibly somewhat too near Grimes). Her voice can develop one-dimensional over the course of forty-odd minutes, nevertheless it’s balanced with top-shelf options from British rapper Central Cee, Nigerian singer Rema, and better of all American R&B vocal gymnast Kelela’s stellar activate “Bury Me. ”

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There is a whiff of wistful nostalgia in seeing PinkPantheress veer away from micropop, however artists must evolve and he or she’s exploring quite than conforming. “Heaven Is aware of” is an enormous chapter in what’s hopefully an extended story.

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PinkPantheress’ ‘Heaven Is aware of’: Album Evaluation

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