Vandalism, peeling ceiling artwork: Japanese temples endure harm to vacationer points of interest

Arief Budi
Arief Budi

World Courant

Japan’s historical temples, preserved as heritage websites visited by hundreds of thousands every year, appear to progressively succumb to put on and tear, in addition to generally victims of tourist-induced vandalism.

Native police in Nara Prefecture questioned a Canadian teenager on Friday after he was seen carving the phrase “Julian” right into a pillar on the Toshodaiji Temple, a UNESCO World Heritage Web site.

He’s suspected of violating legal guidelines for the safety of cultural property. A Japanese vacationer on the temple had seen the 17-year-old use his fingernails to scratch the letters on a pillar within the eighth-century Golden Corridor and alerted temple workers, Japan’s Mainichi Shimbun newspaper reported.

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“We’re afraid that the identical factor may occur once more. Though it was carried out with out malice, it’s nonetheless regrettable and unhappy,” a monk in Toshodaiji instructed Japanese media.

The teenager instructed officers he was “bored” through the temple go to, Japanese broadcaster Yomiuri TV reported.

For now, the temple will stay open to vacationers, with an indication in English and Japanese reminding guests to not harm the corridor.

In Nagasaki Prefecture in western Japan, the pinnacle priest of Watatsumi Shrine banned international vacationers in 2020 for his or her unhealthy habits, together with vandalism, foul language and theft of amulets.

Individually, on the Sensoji Temple within the capital Tokyo on Saturday, a portray in the principle corridor peeled off, seemingly the results of put on and tear.

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Photographs of the Ryunozu, or dragon portray in Japanese, hanging from the ceiling above the heads of unaffected vacationers to Asakusa Temple had been circulated on-line this weekend.

An worker of Sensoji’s training division instructed Japanese media that the portray, which measures about 6.5 by 5 meters, fell off round 11 a.m. on Saturday, including that nobody was injured though there have been many guests on the temple.

Painted by Japanese painter Ryushi Kawabata in 1958, the Ryunozu was a part of a restoration undertaking on the temple after the principle corridor was destroyed throughout World Battle II air raids on Tokyo.

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Temple workers stated different work had been restored about three years in the past, including they hoped the Ryonozu may very well be restored quickly.

Shrines, castles and temples in Japan, particularly historic picket constructions, endure periodic renovation or restore work.

Vandalism, peeling ceiling artwork: Japanese temples endure harm to vacationer points of interest

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